The parameters for this assignment were slightly different from the previous two (links) advanced inking assignments. Those assignments restricted us to one tool- either brush or nib, but not both, and required us to combine the two, which was a relief for me, as I like the delicacy of nib but the immediacy of brush. We were advised to spend about three and a half hours on these, with thirty minutes allocated to sketching, but I've found that I do poor work sans reference when I don't flesh out my sketches, so I didn't rush the sketching stage. The average for these ink renders were 9 hours, with the shortest (the last) taking maybe six. This surplus of time stems partially from learning to effectively combine the two tools to achieve the look I want, but it also comes from the fact that I completed all three of these while attending Anime South East in Tennessee, and additional time was acquired hobbling to and from panels, seeing to customers, and accommodating some pretty abysmal working conditions.
I'm not completely pleased with any of these, probably because so much time was invested and I can see so many errors this soon after completion. The honeymoon phase between myself and my work is short, sometimes non-existent, and I have a tendency to be hyper critical. If I were to pick a favorite, it would be the middle one, as I feel the storytelling is the strongest. My least favorite was done first- the topmost, I feel the storytelling is the weakest. There's another reason why I'm sinking so much time into pieces like these- I currently don't have a library of prints to draw from for conventions, and prints seem to be big sellers. Not only am I trying to learn as much as possible from this inking class, but I'm hoping to remedy my print situation.
This first piece was inspired by Evening Dresses, a huge coffee table book I ordered from Gilt awhile back. You guys may have noticed that I tend to use that book for the 'costuming' requirement in the past two assignments. I really have a soft spot for fashion and shoujo, and that book seems to fill that need. It's full of fantastic photographs and fashion sketches, and I found these two dresses in it. The first woman's pose and appearance is based directly on the pose of the model in the book (with the addition of the mask), but the second woman's pose and appearance were designed to suit and soften her partner. Although these dresses were not shown together in the book itself, I felt there were enough similarities to force a theme upon this piece, which extends to the starry background. The dots on the dress to the left were applied with a stippling technique that included application of Copic Opaque White (watered down a bit) using a G nib. The majority of the nib work was done using a Tachikawa Manga tank nib, and the entirety of the brushwork was done with a Winsor Newton Series 7 in a size 2.
A major problem I'm having is that the ink I use does not want to work when applied over Copic Opaque White (the current correctional fluid I'm using). I've had similar problems with Ph Martin's Bleedproof White, and I've given both enough time to dry. The ink application has a wax resist effect, even when applied with a brush. Have any of you had similar problems with this? Any suggestions?
Tuesday, July 17, 2012
Advanced Inking Techniques- Inking Assignment #3- Combination of Brush and Nib
Vigilante comic artist, illustrator, and comic craft blogger at www.nattosoup.blogspot.com. I have an MFA from SCAD in Sequential Art, which means I'm highly educated in the art of drawing funny picture books. I specialize in comics aimed at young girls, and enjoy the finer things in life- seinen manga, whiney autobio graphic novels, and science fiction.