Thursday, February 14, 2019

In Defense Of the Mini Comic

Note:  This focuses on the use of the minicomic as a teaching exercise

If you want to read MY minis, you can purchase individual comics through Gumroad, or get access to all minis available by joining the Artnerd community over at Patreon.

The Problem: Art educators often assign an 8 page mini as an introduction to comic craft. Some artists, particularly webcomic artists, feel this is insulting, as it assumes the students are not capable of more.

Spread from my Lil Louisiana Cookbook pitch- which includes a 10 page minicomic

My Background:

Comics: 100+ page watercolor comic. Shorts in 10 anthologies. Began making comics at 13- stand alone single page, 4koma, strips, silent, minis, longform. Frequently table at 7-13 cons per year, from indie comics to anime. Always have minis for sale on the table.

My Education: MFA in Sequential Art from SCAD.
As an Educator: Have taught comics online for 10 years through this blog and Youtube. Have taught workshops on comics across the US, have taught classes at an elementary school (East Broad), a middle school (through Comics in the Curriculum), an arts magnet school (Esther F Garrison), a highschool (Hahnville High School), and at the university level (SCAD). Currently teaching Making Comics through Nashville Community Ed.

Why do I care? This attitude, without understanding the rational of the assignment, is toxic and can poison other, impressionable artists. Short comics are a great way for artists of all experiences to experiment with a new format, pitch to a publisher, play around with new characters, or begin their comic journey. The mini is an invaluable tool in the artists' toolkit, and to denigrate it as insulting completely misses its importance.

Spoiler Alert: A minicomic can be the first chapter of your longform comic, so long as it works as a self contained story.

Pages from Cicada Summer's Pickin' n Peeling minicomic. This was part of a pitch to Graphix.

I've always had a handful of long stories that I've worked on steadily thru the years. I began making comics at 13, with a gag a day comic that meandered around for two years (Naki and Akira). After that? Another gag a day that meandered for one year (The Truth About Gaming). And then? A daily 2 strip 4 koma that continued for three years . After that? A 200 page attempt at a shoujo manga, drawn in pencil and ballpoint pen (Let's Make a Deal). After that? 20 pages of what would've been a longform comic that collapsed under its own weight (Ready Set Go).

When that died, I felt a bit lost. Fortunately, I was in the middle of my MFA, and my professors had plenty of short assignments to keep me busy. Strips, silent comics, 8 page shorts inspired by a trip to Japan, 3 page anthology pitches- a wide variety of topics, art styles, and lengths. Planning and executing these short stories gave me license to experiment and learn new comic tricks. Comic improvement comes from experience-actually making comics, and short comics allow you to play with a variety of storytelling techniques and formats without a huge commitment.

Now I'm consistently working on 7" Kara, my longform watercolor comic. I've worked on Kara for about eight years now, and during that time, I've created about a dozen mini comics- many for anthologies, a few as pitches, and some as standalone projects that tied in with my students' work. These minis have provided an opportunity to stretch my wings, explore other stories, and pitch to editors- something that might not be feasible if I were tied to just one longform comic. Having the opportunity to work on other projects not only keeps my work on Kara fresh and interesting, but gives me a place to experiment without negatively affecting 7" Kara's style or pace.

How to Meet a Martian- A Single Page Minicomic created for a Nashville Public Library workshop

Over the years, I've pitched almost a dozen mini comics to anthologies. When I pitch to editors, it's generally with a 10 page sample, a standalone mini that hopefully showcases the idea. When I'm creating a comic along with my class, it's usually a mini comic. When I sell at cons, I have a spinner rack full of mini comics and zines that customers love to flip through. Even Hourly Comic Day is all about creating a mini. The mini comic is a pillar in my comic creation process. In this instance, the mini is a useful pitch tool that allows me to feel out interest without investing too much effort.

When I teach, most of my students are either children or adults who haven't drawn a comic since they were kids. My students are generally a bit nervous about the idea of tackling a comic- many even claim that they can't draw stick figures. It's my job to inspire my students, to show them that this is something that can be accomplished, so I encourage my students to start small. I don't care if it's a standalone story or a small snapshot from a longform epic- I just want those eight pages of comic art. And why eight pages? Because the smallest number of pages you can draw that will compile into a satisfying little printed book- it's approachable and feasible to artists who are finding their bearing. In this instance, the mini builds confidence for artists who are anxious.

Select pages from Pretty Paladin Critical Missy, a 4 page minicomic created for the Chainmail Bikini Anthology

An eight page mini is pretty ideal for new-to-comics artists. It's easier for them to accomplish, easier for them to plan, conceivable for fledgling artists to draw. Small bites, stepping into the baby pool. A long form is a 6' sandwich, a dive into the deep end. Depending on what you need, either can be great, but just as you wouldn't deny an infant baby food, or a newly minted swimmer their water wings, don't deny artists their minicomics.

Some people know what they want, have a clear visualization, strong art skills, uninterrupted time to work. Some people just want to make a coherent comic, 8 solid pages that work, and haven't made a sequential art story since they were 5. Some people are trudging through their epic comic, are completely burnt out, and just want to draw a fun 4koma to remind them of what they love about the comic format. Some people just want a low key hobby that isn't all consuming. Every artist has unique needs, and needs often change over time.

Comic spread from Knight School, a six page mini comic for 1001 Knights Volume 3- Wisdom

If that idea is insulting, that's just too bad. My goal isn't to insult established artists, my goal is to motivate those who are taking their first steps. You can always do your longform baby, no one is stopping you. Advice comes from a personal place based on real life experiences- if it's not suitable for your needs, just shrug it off.
I'll continue to tell students and those who seek my advice to start with 8 pages, because once you can prove to yourself that you can do 8 pages, you can imagine doing more. You can keep going, because now you have a tangible record of success.

2017 SCBWI Illustrator's Contest Entry- I opted to draw it as a self contained comic spread
Wanna take a chunk from your longform script and make an 8 page mini to get to know the characters? Awesome, beautiful, please do. Want to make goofy 4koma side comics? Yes, please! I just want you to make comics, and respect others who make comics.

So yeah, new to comics? Make some minis, eat that elephant bite by bite. Maybe those minis will snowball into a serial, maybe you'll realize that story isn't the one you wanna work on, maybe you'll realize that method of making art is too time consuming. Maybe you'll fall head over heels in love with it, maybe an editor will read it and fall in love with your work and hire you. Minis are great because they offer possibility without signing us up for six years of work.

Whether minis are a good fit for you, I want you to find the path that works for you, that YOU enjoy, and work with that. You know yourself best, and advice given through places like Twitter is general at best, but often given from experience and a desire to help, not disrespect.

Thursday, February 07, 2019

7" Kara 2nd Launchiversary

This Sunday, I'm celebrating the 2 year launchiversary of 7" Kara!  I'm still mulling over what I want to do to celebrate, but during Friday's Power Hour, I'm definitely going to give away some cute Kara charm sets to a few lucky winners and talk at length about my paper daughter.

7 Inch Kara Webcomic Announcement Timelapse

Two years ago, on February 10th, I launched my print comic, 7" Kara, as a webcomic.  At the time, I didn't hype the launch as much as I would have liked, and that's a mistake I really regret- a comic's launch is the BEST time to hype your comic.  That's the best time to get your friends talking about it, sharing their excitement, and a great time to rehash all the self indulgent promo art we all know you've drawn over the years.  This is PARTICULARLY true if this is a project you've worked on for a long time- the launch is a perfect opportunity to strut your stuff.

Launchiversary art from the first annivesary

And compared to some artists, who do a great job talking about and driving hype for their webcomic projects, I think I've failed to really promote 7" Kara as much as I should.  I talk about it frequently- it gets plugs in almost every video I post, and I'm constantly sharing art of the characters and pages in progress, but I've never really encouraged comments or discussion of the comic itself.  This is mostly due to the fact that by the time web-readers see a page, that page has been finished and dried for well over a year- if there's issue with that page in particular, there's little I can do to remedy that.  It's a wall I've been reluctant to tear down, and while I've dabbled with the thought of hosting a Lilliputian RP on The Paintbox, time is the biggest factor preventing me from opening my sandbox for others to enjoy.

Art for my 2018 CTP
Sure, in the past, I've participated in Comic Tea Party (read the transcript for that chat here!)- a great opportunity to sit down and chat with other webcomic fans about what they enjoyed about your comic-, and I used to be a regular on Webcomic Chat and Comic Artists Unite,  but even on Kara's home turf of the Ink Drop Cafe Discord, I've been hesitant to talk about my comic work. I think it can be difficult to talk about your soft, sweet watercolor comic when everyone else whats to talk about romance and adventure- things your comic distinctly lack.

But around the Launchiversary, I start to take things seriously.  This is Kara's birthday, and I'd be a horrible comic mom if I didn't throw her the party she deserved.  And Launchiversaries are a great time to promote your comic- they're big milestones!

Happy Anniversary! 7 Inch Kara 1 Year Launch Birthday 

Last year, to celebrate Kara's birthday, I held an anniversary Livestream- we had cute themed events, I had a small cake, I even drew peoples characters as Lilliputians.  I painted a celebratory image (Pancake's Pancakes) and made a paper child of Kara to make the event more 'real'. It was a lot of fun, but it also took a lot of energy.  I'm saving the BIG event for something else Kara related that's even more exciting that will be coming up this spring.  I also had a Launchiversary post that talked about my experiences launching a webcomic from a print comic, and what I did to promote 7" Kara.

 Newly minted Lilliputians during the stream- Fox and Aster (Linked), Big Sis (TAWBW)

 More newly minted OC's!  Diane's bird winged OC, and Nisa's Solas

Two years without hiatus or significant breaks is a long time for a webcomic, especially for a watercolor comic like 7" Kara.  I've now shared 100+ pages of handpainted watercolor comic, pages that were a labor of love and laborious to paint.  I'm currently working on finishing Chapter 8, the last full color chapter of Volume 2, and that means I'll have a big announcement coming up soon!

Inktober 2017- Seamstress

If you love the world of 7" Kara, you can dive deeper into the lifestyle of Lilliputians by checking out the #LilliputianLiving hashtag on my Instagram- for the past two years, I've done Inktober prompts that help develop worldbuilding.

Inktober 2018- House Lilliputian family

Inktober 2018- Towny Lilliputian Family

So join me this Friday, at 8PM CST over on Youtube, for Power Hour and to celebrate Kara's 2nd birthday!  Make sure you brush up on your 7" Kara and Lilliputian trivia, because I've got some great prizes in store!

Thursday, January 31, 2019

Weekly Art Stream

If you enjoy my art, my art supply reviews, or my tutorials,then you need to join me for Power Hour!

What's Power Hour?
  • Free sketch requests
  • Drawing Demos
  • Art supply raffles
  • Art Supply Demos

Power Hour is my weekly artstream over on Youtube!  We begin at 8PM, and where the evening goes is up to you!  Want me to draw your character live on air?  We can make that happen!  Interested in learning a new drawing technique?  Shout it out!  Want to see a product demonstration?  Let me know, I can probably make it happen.  Power Hour is our opportunity to hang out, get to know one another, and maybe learn something new!

Power Hour's gone on for three weeks now, so I feel like we've hit a good rhythm and I'm finally ready to announce it to the masses!

You can make sure you never miss a Power Hour by subscribing to my Channel and hitting the little bell notification!

Missed our first three streams?  Here're the highlights!

Week 1

  • Alcohol marker doodle
  • Sketch Requests
  • Surface Design Demonstration
  • Zebra Mechanical Pencil Demonstration

Week 2

  • Sketch Request
  • Alcohol Marker Commission
  • Cut paper demonstration

Week 3

  • Sketch Request
  • Figure Drawing Demo
  • Multi-color pencil Demo
  • Watercolor Confections Watercolor Swatches
  • Watercolor Confections Raffle
  • Succulent Painting Demo

Sounds amazing?  Then join us tomorrow night at 8PM, over on my Youtube

Monday, January 21, 2019

Choose Your Own Adventure- Watercolor Edition

One of the magic things about using watercolor for illustration and comics is that it's a bit like choosing your own adventure.  Do you want to use hot press or cold press?  Cellulose or cotton rag?  Do you want to dive straight in to watercolor, sketch with a pencil, print out bluelines, or ink?  Every choice can yeild a different results, and it's helpful to know what your options are.

Today, we're going to talk about different types of finish for your watercolors.  How you want to create your lineart (or whether you want a lineart at all!) can drastically change the end aesthetic of your comics and illustrations.  Below are a few of my favorite methods.


Graphite pencil, brushpen, then erase the graphite.  Paint.

Inks that Work:
Waterproof India Inks (make sure they say waterproof on the bottle)
Acrylic Inks
Pigment Based Inks
Ink Used:  Sakura Pigma Professional FB brushpen (pigment based)

End Result:

Other Examples of Inked Watercolors:


Printed bluelines, then tight pencils.  Paint.

Recommended Leads:
HB or harder

End Result:

Other Examples of Penciled Watercolors:

Graphite pencil sketch.  Paint

End Result:

Graphite Transfer.  Paint.  'Inking' with paint.

End Result:

Colored Leads

Colored Lead.  Paint.

Colored Leads that Work:
Color Eno Leads
Harder, waxed based color pencils

"Lineless" Watercolor Style:

End Result:

Other Examples of "Lineless" Watercolor:

Inking After Painting:

Method:  Sketch illustration.  Paint.  Ink accents.

Any ink will work with this method, so long as you aren't adding water again.

End Result:

Other Examples of Inking After Painting:

Straight to Watercolor

Process: Sketch directly with watercolor, focusing on mark making and shapes.

See:  Chinese watercolor, Japanese sumi-e, loose floral watercolors

I hope this has inspired you to try various methods of 'finish' with your own watercolor art and illustration!  If you're looking for more inspiration, make sure you check out my Watercolor Basics series, here and on Youtube.