Thursday, February 28, 2019

Creating Art Digitally

My Tools:
Surface Pro 3
Surface Pro Stylus

Additional Tools:
Canon Pixma Pro 9000 MK 2
Strathmore Sequential Art 500 Series Plate Bristol
Kuretake Fudegokochi brush pen

Drawing A Cute Custom Avatar- Part 1- Sketch:

Drawing a Cute Custom Avatar- Part 2- Inks

Drawing a Cute Custom Avatar- Part 3-Flats

Drawing a Cute Custom Avatar- Part 4- Shading

Further Resources:

Digital Chibi Timelapse

Thursday, February 21, 2019

Watercolor Paper Review: Fabriano Studio

Sample treatment from my Lil Louisiana Cookbook pitch

A few months ago, I wrote a review of Canson Montval, my watercolor paper of choice for painting 7" Kara comic pages.  I listed a lot of caveats in that review- why it's right for me, but perhaps not you.  Today's Fabriano Studio review is going to be an extension of the same.

Fabriano Studio is interesting.  It's a challenging paper and does not take watercolor consistently.  I feel it's best if you're painting with limited layers.  It has a lot of texture, and is a really fun paper to ink on, and could be a great paper for comic inkers who love texture.  The 25/75 cellulose/cottonrag mix doesn't give us the promised best of both worlds- the price of cellulose with the handling qualities of cottonrag- but creates a watercolor paper that can be prone to streaking, is prone to uneven lifting and blending, and is not a good choice if you're a watercolorist looking for an even tempered paper.

So why review it?  I feel like Fabriano Studio is a great economy paper for comic artists, for mixed media techniques, and for inked watercolor pages.  If you're willing to be patient, to limit your layers, and to play around with it first, you may find another affordable paper for your comic paper arsenal. 

SCBWI 2017 Illustrator's Contest Spread

The Stats

  • 25% Cottonrag, 75%Cellulose
  • Student Grade
  • Acid Free
  • Internal and External sizing
  • Available in Hot and Cold Press
  • Both hotpress and coldpress are available in 90lb and 140lb
  • Pads range from 12 sheets up to 75 sheets
  • Pads range from 8"x10"-11"x14"
  • Available in postcard size, sheets
  • Available through Dick Blick, Jerry's Artarama, Amazon  

2017 WebComicChat Spot Illustration- Children's Comics

Price Comparison

Cellulose Papers:

Canson Montval
Canson Montval 140lb 10"x15" tape-bound pad, 12 sheets: $8.35 on Blick

Canson XL
Canson XL 140lb 11"x15", tape-bound pad, 30 sheets- $7.13 on Blick

Blick Studio
Blick Studio 140lb 11"x15", 15 sheets: $7.63 on Blick

Fabriano Studio
Fabriano Studio, 140lb, 11"x14" tape-bound pad, 12 sheets: $8.25 on Blick

Cotton Rag?

Moulin du Roy
Moulin du Roy Coldpress Watercolor Paper, 140lb, tape bound pad 11.8"x15.7", 12 sheets  $22.91 on Amazon 

Kilimanjaro Bright White Coldpress Watercolor Paper 11"x14", 20 sheets- $29.99 on Cheap Joe's 

Arches Cold Press Watercolor Paper, 140lb, tape bound pad 10"x14", 12 sheets- $14.11 on Blick

Blick Premiere 
Blick Premiere Cold Press Watercolor Paper, 140lb, block or sheet only, 10"x14", 20 sheets- $21.10 on Blick8

Favorite Use Case for Fabriano Studio

Sample spread from Lil Lilliputian Cookbook.  Spot color+Black Variation

Although Fabriano Studio doesn't shine as a watercolor paper, even by cellulose standards, it is an excellent paper for inking, particularly inking with a traditional brush, or inkers looking for gritty dry brush textures.

Sample spread from Lil Lilliputian Cookbook.  Spot color+Black Variation
I particularly like it for how it handles dye based brushpens like Pentel's brushpens.  Fabriano Studio is a perfect surface for spot color illustration and comics.

Mermay Killifish mermaid.  FW Acrylic Ink- Payne's Grey, Brush
I also find Studio to be delightful in combination with brush inking, particularly large sizes such as 3 and 4.   It takes acrylic ink like FW Acrylic ink like a champ.

  • Available in 50 and 75 sheet packs- very economical
  • Takes ink super well- very fun to ink on
  • Loads of texture can be great for watercolor pencil, watercolor crayon
  • Runs through my printer takes bluelines well

  • Does not take layering well
  • Does not take blending well
  • Does not take lots of water well
  • Difficult to get even washes
  • Difficult to build up layers of color

Favorite Fictional Femme illustration.  Waterproof India ink, watercolor

The Verdict: 

Favorite Fictional Femme illustration.  Waterproof India ink, watercolor 

Fabriano Studio is an affordable paper that behaves better than many bulk watercolor papers (Canson's Bulk Watercolor paper comes to mind).  I'm not a fan of mixed content watercolor papers generally- I find they behave with the worst aspects of both fibers.  Fabriano Studio is not an exception, but it does have some qualities that make it exceptional for comic work and the needs of comic artists.  I would not choose to paint a longform watercolor comic on Fabriano Studio given it's quirks, but I have used it for series of illustrations including my 2016 Inktober and my 2018 Mermay Mermaids.

Thursday, February 14, 2019

In Defense Of the Mini Comic

Note:  This focuses on the use of the minicomic as a teaching exercise

If you want to read MY minis, you can purchase individual comics through Gumroad, or get access to all minis available by joining the Artnerd community over at Patreon.

The Problem: Art educators often assign an 8 page mini as an introduction to comic craft. Some artists, particularly webcomic artists, feel this is insulting, as it assumes the students are not capable of more.

Spread from my Lil Louisiana Cookbook pitch- which includes a 10 page minicomic

My Background:

Comics: 100+ page watercolor comic. Shorts in 10 anthologies. Began making comics at 13- stand alone single page, 4koma, strips, silent, minis, longform. Frequently table at 7-13 cons per year, from indie comics to anime. Always have minis for sale on the table.

My Education: MFA in Sequential Art from SCAD.
As an Educator: Have taught comics online for 10 years through this blog and Youtube. Have taught workshops on comics across the US, have taught classes at an elementary school (East Broad), a middle school (through Comics in the Curriculum), an arts magnet school (Esther F Garrison), a highschool (Hahnville High School), and at the university level (SCAD). Currently teaching Making Comics through Nashville Community Ed.

Why do I care? This attitude, without understanding the rational of the assignment, is toxic and can poison other, impressionable artists. Short comics are a great way for artists of all experiences to experiment with a new format, pitch to a publisher, play around with new characters, or begin their comic journey. The mini is an invaluable tool in the artists' toolkit, and to denigrate it as insulting completely misses its importance.

Spoiler Alert: A minicomic can be the first chapter of your longform comic, so long as it works as a self contained story.

Pages from Cicada Summer's Pickin' n Peeling minicomic. This was part of a pitch to Graphix.

I've always had a handful of long stories that I've worked on steadily thru the years. I began making comics at 13, with a gag a day comic that meandered around for two years (Naki and Akira). After that? Another gag a day that meandered for one year (The Truth About Gaming). And then? A daily 2 strip 4 koma that continued for three years . After that? A 200 page attempt at a shoujo manga, drawn in pencil and ballpoint pen (Let's Make a Deal). After that? 20 pages of what would've been a longform comic that collapsed under its own weight (Ready Set Go).

When that died, I felt a bit lost. Fortunately, I was in the middle of my MFA, and my professors had plenty of short assignments to keep me busy. Strips, silent comics, 8 page shorts inspired by a trip to Japan, 3 page anthology pitches- a wide variety of topics, art styles, and lengths. Planning and executing these short stories gave me license to experiment and learn new comic tricks. Comic improvement comes from experience-actually making comics, and short comics allow you to play with a variety of storytelling techniques and formats without a huge commitment.

Now I'm consistently working on 7" Kara, my longform watercolor comic. I've worked on Kara for about eight years now, and during that time, I've created about a dozen mini comics- many for anthologies, a few as pitches, and some as standalone projects that tied in with my students' work. These minis have provided an opportunity to stretch my wings, explore other stories, and pitch to editors- something that might not be feasible if I were tied to just one longform comic. Having the opportunity to work on other projects not only keeps my work on Kara fresh and interesting, but gives me a place to experiment without negatively affecting 7" Kara's style or pace.

How to Meet a Martian- A Single Page Minicomic created for a Nashville Public Library workshop

Over the years, I've pitched almost a dozen mini comics to anthologies. When I pitch to editors, it's generally with a 10 page sample, a standalone mini that hopefully showcases the idea. When I'm creating a comic along with my class, it's usually a mini comic. When I sell at cons, I have a spinner rack full of mini comics and zines that customers love to flip through. Even Hourly Comic Day is all about creating a mini. The mini comic is a pillar in my comic creation process. In this instance, the mini is a useful pitch tool that allows me to feel out interest without investing too much effort.

When I teach, most of my students are either children or adults who haven't drawn a comic since they were kids. My students are generally a bit nervous about the idea of tackling a comic- many even claim that they can't draw stick figures. It's my job to inspire my students, to show them that this is something that can be accomplished, so I encourage my students to start small. I don't care if it's a standalone story or a small snapshot from a longform epic- I just want those eight pages of comic art. And why eight pages? Because the smallest number of pages you can draw that will compile into a satisfying little printed book- it's approachable and feasible to artists who are finding their bearing. In this instance, the mini builds confidence for artists who are anxious.

Select pages from Pretty Paladin Critical Missy, a 4 page minicomic created for the Chainmail Bikini Anthology

An eight page mini is pretty ideal for new-to-comics artists. It's easier for them to accomplish, easier for them to plan, conceivable for fledgling artists to draw. Small bites, stepping into the baby pool. A long form is a 6' sandwich, a dive into the deep end. Depending on what you need, either can be great, but just as you wouldn't deny an infant baby food, or a newly minted swimmer their water wings, don't deny artists their minicomics.

Some people know what they want, have a clear visualization, strong art skills, uninterrupted time to work. Some people just want to make a coherent comic, 8 solid pages that work, and haven't made a sequential art story since they were 5. Some people are trudging through their epic comic, are completely burnt out, and just want to draw a fun 4koma to remind them of what they love about the comic format. Some people just want a low key hobby that isn't all consuming. Every artist has unique needs, and needs often change over time.

Comic spread from Knight School, a six page mini comic for 1001 Knights Volume 3- Wisdom

If that idea is insulting, that's just too bad. My goal isn't to insult established artists, my goal is to motivate those who are taking their first steps. You can always do your longform baby, no one is stopping you. Advice comes from a personal place based on real life experiences- if it's not suitable for your needs, just shrug it off.
I'll continue to tell students and those who seek my advice to start with 8 pages, because once you can prove to yourself that you can do 8 pages, you can imagine doing more. You can keep going, because now you have a tangible record of success.

2017 SCBWI Illustrator's Contest Entry- I opted to draw it as a self contained comic spread
Wanna take a chunk from your longform script and make an 8 page mini to get to know the characters? Awesome, beautiful, please do. Want to make goofy 4koma side comics? Yes, please! I just want you to make comics, and respect others who make comics.

So yeah, new to comics? Make some minis, eat that elephant bite by bite. Maybe those minis will snowball into a serial, maybe you'll realize that story isn't the one you wanna work on, maybe you'll realize that method of making art is too time consuming. Maybe you'll fall head over heels in love with it, maybe an editor will read it and fall in love with your work and hire you. Minis are great because they offer possibility without signing us up for six years of work.

Whether minis are a good fit for you, I want you to find the path that works for you, that YOU enjoy, and work with that. You know yourself best, and advice given through places like Twitter is general at best, but often given from experience and a desire to help, not disrespect.

Thursday, February 07, 2019

7" Kara 2nd Launchiversary

This Sunday, I'm celebrating the 2 year launchiversary of 7" Kara!  I'm still mulling over what I want to do to celebrate, but during Friday's Power Hour, I'm definitely going to give away some cute Kara charm sets to a few lucky winners and talk at length about my paper daughter.

7 Inch Kara Webcomic Announcement Timelapse

Two years ago, on February 10th, I launched my print comic, 7" Kara, as a webcomic.  At the time, I didn't hype the launch as much as I would have liked, and that's a mistake I really regret- a comic's launch is the BEST time to hype your comic.  That's the best time to get your friends talking about it, sharing their excitement, and a great time to rehash all the self indulgent promo art we all know you've drawn over the years.  This is PARTICULARLY true if this is a project you've worked on for a long time- the launch is a perfect opportunity to strut your stuff.

Launchiversary art from the first annivesary

And compared to some artists, who do a great job talking about and driving hype for their webcomic projects, I think I've failed to really promote 7" Kara as much as I should.  I talk about it frequently- it gets plugs in almost every video I post, and I'm constantly sharing art of the characters and pages in progress, but I've never really encouraged comments or discussion of the comic itself.  This is mostly due to the fact that by the time web-readers see a page, that page has been finished and dried for well over a year- if there's issue with that page in particular, there's little I can do to remedy that.  It's a wall I've been reluctant to tear down, and while I've dabbled with the thought of hosting a Lilliputian RP on The Paintbox, time is the biggest factor preventing me from opening my sandbox for others to enjoy.

Art for my 2018 CTP
Sure, in the past, I've participated in Comic Tea Party (read the transcript for that chat here!)- a great opportunity to sit down and chat with other webcomic fans about what they enjoyed about your comic-, and I used to be a regular on Webcomic Chat and Comic Artists Unite,  but even on Kara's home turf of the Ink Drop Cafe Discord, I've been hesitant to talk about my comic work. I think it can be difficult to talk about your soft, sweet watercolor comic when everyone else whats to talk about romance and adventure- things your comic distinctly lack.

But around the Launchiversary, I start to take things seriously.  This is Kara's birthday, and I'd be a horrible comic mom if I didn't throw her the party she deserved.  And Launchiversaries are a great time to promote your comic- they're big milestones!

Happy Anniversary! 7 Inch Kara 1 Year Launch Birthday 

Last year, to celebrate Kara's birthday, I held an anniversary Livestream- we had cute themed events, I had a small cake, I even drew peoples characters as Lilliputians.  I painted a celebratory image (Pancake's Pancakes) and made a paper child of Kara to make the event more 'real'. It was a lot of fun, but it also took a lot of energy.  I'm saving the BIG event for something else Kara related that's even more exciting that will be coming up this spring.  I also had a Launchiversary post that talked about my experiences launching a webcomic from a print comic, and what I did to promote 7" Kara.

 Newly minted Lilliputians during the stream- Fox and Aster (Linked), Big Sis (TAWBW)

 More newly minted OC's!  Diane's bird winged OC, and Nisa's Solas

Two years without hiatus or significant breaks is a long time for a webcomic, especially for a watercolor comic like 7" Kara.  I've now shared 100+ pages of handpainted watercolor comic, pages that were a labor of love and laborious to paint.  I'm currently working on finishing Chapter 8, the last full color chapter of Volume 2, and that means I'll have a big announcement coming up soon!

Inktober 2017- Seamstress

If you love the world of 7" Kara, you can dive deeper into the lifestyle of Lilliputians by checking out the #LilliputianLiving hashtag on my Instagram- for the past two years, I've done Inktober prompts that help develop worldbuilding.

Inktober 2018- House Lilliputian family

Inktober 2018- Towny Lilliputian Family

So join me this Friday, at 8PM CST over on Youtube, for Power Hour and to celebrate Kara's 2nd birthday!  Make sure you brush up on your 7" Kara and Lilliputian trivia, because I've got some great prizes in store!