Lettering and Balloons- Digitally Correcting Watercolor Pages Part 3
I'm doing balloons today, and thought I'd walk yall through my process! Many people assume my pages are traditionally ballooned and lettered, but nope! All digital! So I'm starting with a lettered page- I may adjust placement, but most of the text is on the page. pic.twitter.com/2xS7OqfPjs
— 🍀Becca Hillburn🍀 (@Nattosoup) May 1, 2019
Using the clone stamp tool, I select a sample from a scan of Canson Montval watercolor paper. This is the same paper I use to paint my pages, so the texture and size match. I create a new layer under the text, and begin applying the clone tool with a plain round brush. pic.twitter.com/etdkPZNtrf
— 🍀Becca Hillburn🍀 (@Nattosoup) May 1, 2019
For RIGHT NOW, I'm focusing on placement of text, placement of balloons, text corrections, ect, so I'm just doing the balloons right now, not tails or borders- that'll be another Twitter thread. RN I'm aiming for round, but not perfect, with a nice boarder of balloon around text pic.twitter.com/eMqLhvSX4w
— 🍀Becca Hillburn🍀 (@Nattosoup) May 1, 2019
Every piece of text gets a balloon on a unique layer, so everything is easily adjustable at this point. I adjust for flow, and often edit or add dialogue at this stage. For the balloons, I aim for mostly round (no submarines), with at least a half letter of space around the text. pic.twitter.com/KoX2Pt2kgI
— 🍀Becca Hillburn🍀 (@Nattosoup) May 1, 2019
I begin my next stage of ballooning by getting my balloons into organized folders. Later, I'm going to add layer affects to them, and it's easier to do it by the folder rather than to individual layers. pic.twitter.com/4OHWIpDTvV
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
For this part of our balloons, we're going to want to use the clone tool a round with pressure sensitivity on, in order to make the tails. Our source for the clone is the Canson Montval scan. pic.twitter.com/p2d74edL5U
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
This part is really easy- there are loads of ways to do balloon tails, so HOW you do it is up to you and the needs of your comic, but I try to always aim the tail toward's the speaker's mouth. pic.twitter.com/BD5BceGpre
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
In panels like the second example, if you have a balloon coming from an off camera speaker, you can either point the tail towards a representation of them (so we could have had Naomi's hand speaking in this example) or towards the general off camera direction of the speaker. pic.twitter.com/Nt3kae8TuR
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
So now that the whole page has tails, I'm going to add borders to my balloons. I use a custom 'color pencil' brush, the same as the brush I use for some corrections, and to do page and panel borders. I set the eraser to the same brush. pic.twitter.com/PN8ufIOxZp
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
So now that all the balloons are bordered, we're almost done with this page. Next, I adjust the opacity on my balloon layers to 80%, and change the balloon borders to Multiply. My goal is to get the text, balloons, and borders to be part of the gestalt of the page. pic.twitter.com/Px82mB2gAh
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
So when you're placing balloons/tails, I recommend you avoid crossing or covering important storytelling elements or faces with the balloons and tails. pic.twitter.com/YjyWZ340ou
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
Also, I try to do it infrequently, but I do utilize colored balloon borders when then opportunity calls for it. pic.twitter.com/tqBbvMujIY
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
So for the rest of this chapter, it's pretty much just proceeding the same way. I hope you guys enjoyed my lettering/balloons/borders demonstration! Artnerds on my Patreon (https://t.co/xm86dXBIb2) have access to my watercolor paper scans as well as to the brushes I use! pic.twitter.com/0PgxCPFOnY
— 🍀Becca Hillburn🍀 (@Nattosoup) May 2, 2019
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