Chapter five is my longest chapter so far, at 25 pages, and I work in batches- all the thumbnails, all the roughs, all the revisions, all the pencils, all the painting, all the lettering and corrections. Although it's the most time consuming, painting is my favorite part, and the part I'm most likely to share progress on. Since that's the case, I thought I'd change things up a bit and share the meat and potatoes of this comic.
These scanned thumbs were physically noted by myself and Joseph, and I have digital notes from my friends Alex, Heidi, and Chris. This has become, for the most part, my core group for critique, and I try to get their feedback at each step, including the Chapter Synopsis (just a brief outline of what happens in the chapter, my starting point) and the script.
As with the thumbnails, these have some written corrections on them, but haven't been fixed yet.
This is the first time I did all my corrections digitally. Usually when redrawing entire panels, I'll draw it on another piece of paper and Photoshop that in. It's a lot easier to make corrections digitally, so I ended up fixing panels I wouldn't've otherwise have bothered to fix. Generally, if fixes are minor, I'll just adjust it while pencilling the bluelines for the watercolor, but working this way will allow for a tighter finished product.
I used a similar palette for corrections (an aqua blue and a blueish grey as graphite) so I could be sure that everything printed properly, which means some corrections may be hard to spot at a glance.